![]() Just, y’know, don’t think about it too hard, or for too long. On a visceral level, the episode was a horrific ride through a world that has completely shattered. Martin’s A Song of Ice and Fire novels while largely having been avoided on the show ( with exceptions). ![]() Either way, to quote a climactic moment on another show, “Not great, Bob!”īut boy, was the central idea of “The Bells” - to illustrate how war tends to spiral out of control into fire and violence and massacres as the conquering army rides in to overrun the conquered - a fascinating, compelling one, and one that factors heavily into George R.R. At worst, it peddled a weird spin on the idea that women are too emotional to lead. And the show’s execution of the “Daenerys goes mad” arc is one of the most poorly handled things it’s ever done, especially if this was all part of a long-term plan (as it seems it was).Īt best, it was foreshadowed by Game of Thrones’ scripts but undercut by its aesthetics (which constantly portrayed Dany as a folk hero). However, here’s the part where I’ll admit that even though I kind of liked it in the macro, I have a ton of complaints about this episode. It’s better in theory than it is in execution, and it’s full of moments that are supposed to pay off years of the series, but fall extremely flat. ![]() That’s because “The Bells” is almost the entire final season of Game of Thrones in a microcosm - some interesting ideas, some cool moments, and some great acting, but if you think about most of what happened for more than a couple of seconds, it starts to implode. For many of them, the episode had betrayed any love they had once felt for the show. As the fifth and penultimate episode of Game of Thrones’ final season, “The Bells,” finished airing, everybody at my viewing party erupted in lusty boos.
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